If you have upgraded to Photoshop CS3 or CS4 or if use Lightroom, then you have encountered Vibrance. Consider it a smarter less heavy handed form of Saturation. Saturation will saturate all colors equally, and it is easy to go over the edge into blobs of frightening color and loss of detail in a color that was pretty saturated to start with, just to get the saturation up on another color that started out less saturated. Vibrance on the other hand will saturate less-saturated colors more than ones that are already more saturated. It will also protect somewhat against oversaturating skin tones. Consider this example. The first image is before adjustments. My goal is to increase the saturation of the […more]
I showed you in my first clarity post how to use negative clarity in Lightroom or Camera Raw to soften skin. For a creative look, try heavy negative clarity on the whole image:
If you are using the adjustment brush to make local image enhancements, you can hover over the pin to see the mask that you have drawn, but it shows for just a moment. To keep it on as you brush, type the letter O, for Overlay. To turn the overlay off, type O again. If instead you use the adjustment brush in Camera Raw, simply check the Show Mask check box to see the mask. (Why isn’t this check box in Lightroom?)
The clarity slider was introduced in Lightroom 1.1, and is also now in Camera Raw. A positive clarity value punches up an image, makes it look a little more three dimensional, by enhancing contrast along edges. The changes are concentrated in the midtones, and do little to highlights and shadows. Here is an example, a portion of an image with Clarity set to 0, and then set to 60.